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Summary
The Prince of Egyptsongwriter Stephen Schwartz explainsSteven Spielberg ’s role in the plastic film ’s production . Released in 1998,The Prince of Egyptis a DreamWorks animated musicalsurrounding the story of Egyptian Prince Moses on his journeying to become the loss leader of his people . The film was co - directed by Brenda Chapman , Steve Hickner , and Simon Wells and sport a conduct cast of Val Kilmer , Ralph Finnes , Michelle Pfeiffer , Sandra Bullock , Jeff Goldblum , Danny Glover , Patrick Stewart , Helen Mirren , and Steve Martin .
In an exclusive audience withScreen Rantin laurels ofThe Prince of Egypt : The Musicalhitting digital program , Schwartz explains Spielberg ’s influence on the original film . Schwartz said thatthe movie ’s “ sidekick taradiddle ” concept came from Spielberg ’s head . Spielberg said that he want to conform to the two young men — Moses and Rameses — as they “ grow up together ” and finally “ their destinies take them in the direction where they become antagonists . ” Check out the full quote from Schwartz below :
I would say two thing . The film was always conceive – from the bit Steven Spielberg say this is what we should do – as a crony write up . It was Steven who say that he want it told as the story of these two young humans who raise up together , who love each other , two young valet of privilege , and then their destinies take them in the steering where they become antagonists ; [ a ] ‘ can their erotic love get the best that ? ’ form of affair .
Steven Spielberg’s History With The Prince of Egypt Explained
Despite being quintessential to the founding of the picture show , Spielberg is not given a tarradiddle reference onThe Prince of Egypt . alternatively , the screenplay credit goes to Philip LaZebnik , whose other credit admit classical Disney movie likeMulanandPocahontas . Even though Spielberg is reported to have come up with the thought , his role in the former phases of the film was more sparse .
Spielberg was still extremely influential in creatingThe Prince of Egypt , however . This is , of course , due in part to his concocting of the film ’s cardinal theme , but also becauseSpielberg was one of the founders of thenow - popular DreamWorks Animation , which form in 1994 . Even with a more laid - back mien in the product ofThe Prince of Egypt , Spielberg was inherently vital to the studio apartment ’s sophomore feature ( The Prince of Egyptreleased just two months after 1998’sAntz ) .
Pixar and DreamWorks are two of the biggest competitors in the animation industry , so how to the two titan determine up at the box office ?
Spielberg ’s bluff visionfor theTen Commandmentsadaptation does not go unnoticed . Telling a religious tale of that musical scale while making the story entertaining , personal , accessible to minor , and a musical , is no easy effort . The Prince of Egyptpulled this off smoothly , and the motion picture remains one of the most classical 1990s - epoch liven films to date , as well as staple fibre see within the Jewish community .
