Rebel Moon
Summary
Zack Snyder is a music director know for putting a lot of himself into all of his picture show , butRebel Moon - Part 1 : A Child of Fireis the most Zack Snyder - y picture Zack Snyder has ever made . Ever since the passing of300 in 2007 , the phrase " a Zack Snyder motion-picture show " has meant something very specific and hearing can cursorily identify key traits like slow move , desaturated and high - contrast color palettes , muscled physique , over - the - top vehemence , and more .
While any unmarried moving picture made by Snyder bears his creative stamp , many of them differ on some storey , such as the deficiency of slo - mo inMan of Steelor the less stylize coming ofDawn of the DeadorArmy of the Dead , butRebel Moon - Part 1 : A Child of Firechecks all the boxes of what one should wait from Zack Snyder while also see one of the highest levels of the movie maker ’s involvement at many stages of production , earning him legion credit in addition to his function as director , include some uncredited involution in areas like graphics design and storyboarding .
Related : Rebel Moon Ending Explained In Full , Including Every tantrum That Sets Up Part Two
Zack Snyder Has 4 (Official) Credits On Rebel Moon
Zack Snyder’s name is all over Rebel Moon’s Credits.
Zack Snyder is credit as writer , conductor , producer , and cinematographer onRebel Moon - Part 1 : A Child of Fire , bind only withArmy of the Deadas the managing director ’s most - credit project . Snyder has been prepare theRebel Moonstory for several decades since he originally pitched it in motion-picture show school in the 1980s , but he also share a screenplay credit with Shay Hatten and Kurt Johnstad who help oneself him flesh out the actual playscript . Snyder began acting as his own cameraman withArmy of the Dead , although he served as cinematographer on his own undertaking as a medicine video and commercial-grade director in the 90 and 2000s .
Zack Snyder even had a circle of custom anamorphic Leica lens system created to scud Rebel Moon .
In gain to his credit roles , Snyder was also highly convoluted with drawingRebel Moon ’s concept artwork and storyboarding process . Snyder typically draws storyboards for every fit of his movies before enrol product , andforRebel MoonSnyder imbibe over 3,000 storyboards , but he also take out hundreds of construct images as he worked with the production design and art squad to flesh out the face and feel of theRebel Moonuniverse . Snyder did n’t invite official credit for any of these roles , but it shows he was demand far beyond his four official credits .
Rebel Moon’s Visual Style Has All the Snyder-isms
Slow motion, monochromatic high-contrast colors, and all the other Snyder-y touches.
Rebel Moon - Part 1 : A Child of Fire ’s visual panache has everything you ’d expect visually from a Zack Snyder movie , from its use of high - contrast monochromic color palettes to the abundance of slow - motion , Rebel Moonincludes a small snatch of everything Snyder ’s style is known for , for better or risky . interview that apprize Snyder ’s picture tend to embrace his visual mode , while his detractors find it large and over - lenient . In either display case , Snyder ’s iconic optical style inRebel Moon - Part 1 : A baby of Fireis instantly identifiable by fan and hater likewise .
Related:7 Easter Eggs , Homages & Snyder - isms In Rebel Moon
Of naturally , Snyder ’s optical style was prove by many movies prior toRebel Moon - Part 1 : A Child of Fire , so it would n’t be a stretch to claim300orWatchmenorZack Snyder ’s Justice Leagueare a more exact sample distribution of his work ; however , given Snyder ’s storey of involvement inRebel Moon , particularly his role as cinematographer , while the other motion-picture show mentioned were collaborations with Larry Fong and Fabian Wagner as cinematographer , makesRebel Moon - Part 1 : A Child of Fire ’s style rise to the top as the most " Snyder " of all Snyder ’s motion picture .
Rebel Moon is a Totally New, Original Property From Zack Snyder
While most of his filmography is adapting works of other writers, Rebel Moon is of of Snyder’s few original properties.
Zack Snyder ’s ascent to fame in Hollywood came as the film director of reboots and adaptations , start withDawn of the Dead , before he adapted Frank Miller’s300,Kathryn Lasky ’s Guardians of Ga’Hoole , Alan Moore’sWatchmen , and directed three DC Comics adaptation . Snyder ’s biggest films being adaptation makeRevel Moonall the more novel , as Snyder is n’t only unrestrained by studio apartment need , but also has no pre - establish traditional knowledge or canyon to which he ’s beholden , meaningSnyder has full creative mastery ofRebel Moon . TheRebel Moonuniverse can be whatever Snyder want it to be , take a leak itthe most " Snyder - y " any of Snyder ’s movies could be .
Rebel Moon - Part 1 : A Child of Fireisn’t Snyder ’s first original work , Sucker PunchandArmy of the Deadwere also original story consider by Snyder , althoughSucker Punchwas made as a one - off storey andArmy of the Dead , while it also kick off its own population ( with tangential affiliation toRebel Moon ) , is n’t quite as expansive as Snyder ’s coreRebel Moonmythology . In the case ofSucker Punch , studio tampering and MPAA requirements hobbled Snyder ’s full imagination for the story ( although plans for the director ’s cut seem to be coming to fruition ) .
Rebel Moon’s PG-13 Cut Re-Creates and Ironic Snyder Tradition
Once again, everyone is calling for the release of a Zack Snyder director’s cut.
Of course , with an blow up R - rate cut ofRebel Moon - Part 1 : A Child of Fireon the mode , some might say that makes the PG-13 version of the movie " less " Snyder - y than the full " Snyder Cut " of the movie , which will inherently be even " more Snyder - y " than this cut of meat , but in an ironic twist , a snub compromised by runtime and rating requirements is another strong facet of Snyder ’s Hollywood lore . While it may be somewhat cynically baked into the passing Hz to expand demands for the " Snyder Cut " ofRebel Moon , it ’s also a core aspect of any Snyder movie to anticipate a superior , longer , more gas constant - rated rendering to be loose later .
Whether or not release a two - hour PG-13 sheer ofRebel Moon - Part 1 : A Child of Fireand do audience wait for the three - hour radius - rate version was a saucy strategy by Netflix rest to be see , but it does ironically maintain Snyder ’s tradition of releasing inadequate " compromise " cuts of his movies first , leaving fans demanding the more unadulterated , more " Snyder , " version afterward . Regardless , Rebel Moon - Part 1 : A Child of FireandRebel Moon - Part 2 : The Scargiverare both jell to bring home the bacon audience the full Snyder experience .
